At the beginning of his 1961 study The Death of Tragedy, George Steiner claimed that Christian “optimism” contributed to the demise of tragic drama in modernity. The ensuing chapters of The Death of Tragedy actually offer a more nuanced account, though, in which Steiner finds tragic potential in the doctrine of original sin. In subsequent essays, Steiner has doubled down on his claim that tragedy must be bleak. Indeed, he now holds up an ideal of hopeless “absolute tragedy.” In these later writings, Steiner has also continued to show interest in original sin, even claiming in a 2004 essay that original sin is the core of tragic art.

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