“When a man fell, the others stood together over his corpse; their gazes met, dark and deep. But when death stood over the trenches like a storm cloud, then it was every man for himself: he stood alone in the darkness, howling and crashing surrounding him, blinded by sudden flashes, with nothing in his breast but endless desolation.”
—Ernst Jünger, Sturm, describing the soldiers awaiting attack during the Battle of the Somme, whose centenary is this year.
“When a man fell, the others stood together over his corpse; their gazes met, dark and deep. But when death stood over the trenches like a storm cloud, then it was every man for himself: he stood alone in the darkness, howling and crashing surrounding him, blinded by sudden flashes, with nothing in his breast but endless desolation.”
—Ernst Jünger, Sturm, describing the soldiers awaiting attack during the Battle of the Somme, whose centenary is this year.
Translated by Alexis P. Walker With an Introduction by David Pan
Set in 1916 in the days before the Somme offensive, Ernst Jünger’s Sturm provides a vivid portrait of the front-line experiences of four German infantry officers and their company. A highly cultivated man and an acute observer of his era, the eponymous Lieutenant Sturm entertains his friends during lulls in the action with readings from his literary sketches. The text’s forays into philosophical and social commentary address many of the themes of Jünger’s early work, such as the nature of war, death, heroism, the phenomenon of Rausch, and mass society.
Originally published in installments in the Hannoverscher Kurier in 1923, Sturm fell into obscurity until 1960, when it was re-discovered and subsequently re-published by Hans Peter des Coudres, a scholar of Jünger’s work. This translation—the first to be published in English—brings to the English-speaking world a work of literature of interest not only to students of Jünger’s work and of World War I, but to any reader in search of a powerful story of war and its effects on the lives of the men who endure it.
Catastrophic history does not free society: it allows the individual no exit from an endless spiral of destruction. Such destruction promises liberation for some, but it only tilts the world closer to ever-greater annihilation. To place one’s hope in redemptive violence constitutes a leap into the absurd. It is an act of pure faith. This is how Julia Hell, in her essay “Remnants of Totalitarianism: Hannah Arendt, Heiner Müller, Slavoj Žižek, and the Re-Invention of Politics,” reads the apocalyptic politics of Müller and Žižek. Hell frames her critique with a rigorous practicality: she laments Žižek’s “empty terms,” and likewise she sees the political writings of Giorgio Agamben and Judith Butler as hopelessly vague (103). Yet Hell’s rejection of Müller and Žižek does not reflect an entirely pragmatic method. While Hell insists on the need for a usable, specific politics, her attentive readings of each thinker also point to a vast philosophical disagreement. In the end, the true debate is not over the applications of theory. It is instead over the answer to a single question: what is the relationship of politics to death?
In this video from the 2011 Telos Conference, held on January 15–16 in New York City, Adrian Pabst interviews Peter Candler from Baylor University in Waco, Texas. Peter gave a controversial and provocative paper entitled “Outside the Church There is No Death.” The starting point of the paper is the recent health care reform in the United States and the dominant discourse on life and death. The conversation discusses how much of secular discourse reduces life to little more than chemical processes that terminate with death. By contrast, the Christian idea of Incarnation and Resurrection offers a different account of human life in terms of personhood and of death as a genuinely a tragic loss that nevertheless does not mark the end but the transition to a different kind of union of body and soul.
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