The Telos Student Seminars provide a forum for students around the world to engage with critical theory by discussing a common set of paired texts from Telos—one current essay and one pertinent essay from our archives. The following reports from our first Telos Student Seminars at Concordia University in Irvine, California, and the Hopkins-Nanjing Center in Nanjing, China, compare Paul Kahn’s “Law and Representation: Observations from an American Constitutionalist” (Telos 195, Summer 2021) and Paul Piccone’s “The Crisis of Liberalism and the Emergence of Federal Populism” (Telos 89, Fall 1991). The Irvine seminar advocates addressing the political challenges highlighted by Kahn and Piccone through a new American civil religion “built on mysticism,” while the Nanjing group took the seminar as an occasion for a wide-ranging, cross-cultural discussion about society and politics. Telos Student Seminars participants across the globe will gather virtually for a discussion with Paul Kahn at the end of this month. For more details about the Telos Student Seminars, including summaries of the two essays under discussion, click here.
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The art of scandalizing is inexhaustible. In Kant’s Anthropology, there are a few remarks familiar to anyone who has studied Kant. According to the standards of the spirit our time, one could characterize those as racist. That media attention can be sparked from this today is known since the leveling of similar accusations at Shakespeare and Mark Twain. Hegel praised war, Nietzsche proclaimed the necessity of slavery, the hypersensitive Walter Benjamin made use of the word “gypsy.” One could endlessly extend the proscription list of scandalous thinkers. For the block warden of thought, there is really not a single great mind before 1968 with whom some racist, militaristic, or misogynistic remark could not be substantiated. From the Sharjah Call for Action website: International and local art community condemns unwarranted dismissal of Sharjah Art Foundation Director Jack Persekian and the censorship of artworks in the Sharjah Biennial. On April 6th, 2011, Jack Persekian, Director of the Sharjah Art Foundation since 2005, was dismissed without notice by the ruler of Sharjah, HH. Sheikh Sultan Bin Mohammad Al Qasimi. The sudden termination of Persekian’s post came after a public outcry over the perceived offensive content in an artwork exhibited in the 10th edition of the Sharjah Biennial by Algerian artist, journalist and activist Mustapha Benfodil. |
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