Those who read Hamlet or Hecuba from the specialist’s standpoint have often found it naïve, and maybe with good reason. Yet I do not want to linger on its worth or faults as a critical essay; I would rather try to read Schmitt’s book in the same way that he read Hamlet, as an eccentric writing, not completely closed, that deals with a subject matter but revolves around another one: Hamlet or Hecuba is something more than a piece of literary criticism.

Continue reading →